Diving into the World's End (a photo story)

Immerse yourself in the nutrient-rich waters of the Galápagos, explore the sheer edges of old volcanos and gently drift in the current alongside native Pacific green turtles. Scroll down for some of our favourite shots that didn't make it into the latest issue, captured by Graeme Owsianski

On 9 April 1925, marine biologist William Beebe became the first person to dive in Galápagos. His head enclosed in a cumbersome copper helmet, he sucked air through a garden hose wedged by his right ear. Beebe had been practising in the New York Aquarium, but nothing could prepare him for how it felt to sit below the surface, “wishing for a dozen eyes, so filled was the sea with strange living things.” As the sun’s rays shone down “as though through the most marvellous cathedral”, many never before seen creatures swam over to look at this curious visitor, whose helmet revolved like “some strange sort of owl”. Triggerfish took nips at him, “the strangest little blenny in the world... five inches long and mostly all head” stared in through the glass and an octopus poured over a rock “like some horrid viscid fluid in animal form”.

Since then, these waters have attracted many more pioneers – marine geologists photographed hydrothermal vents in the ocean floor in the 1970s, and lantern bearing anglerfish made their startling debut after being dredged from the depths. Ninety years on, exploring this underwater world still feels like you’re drifting into our last frontier...

Issue 6
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A glossary of seafaring terms

From "knucker" to "knockarse", historian Chris Hare is your guide to fisherman's words past and present

 Illustration: Joe McLaren

Illustration: Joe McLaren

bexhill bunny (noun)

A term used on-board instead of saying ‘rabbits’, which was considered unlucky. Prolonged periods of bad weather meant that fishermen were forced to stay on shore and hunt for rabbits. 

gipper (noun)

Slime that oozes out of newly caught fish. 

hoggie (noun)

A Sussex fishing boat, particularly associated with Brighton. 

knockarse (noun)

A boat with a flat stern, like a hoggie. 

knucker (noun)

A legendary dragon that lived in the spring-fed pools found on the coastal plain of Sussex, known as knucker holes. 

mace (noun)

A dialect word for credit, e.g. “How did you afford your new nets?”, “Oh, I bought them on the mace.” 

shay (noun)

A bright misty haze or halo seen at night, often associated with supernatural apparitions. 

shraves (noun)

The dips in the chalk cliffs as seen from the sea, the truncated valleys of the the South Downs, e.g.The Seven Sisters. 

silver darlings (noun)

Fishermen’s slang for herring. A good catch of herring was worth a great deal to fishermen, equal in value to nets of silver. 

whale (noun)

A name for a fisherman’s apron. 

Chris Hare's book The Secret Shore and CD South Coast Songs and Shanties is available to buy at secretshore.org.uk.

This glossary originally featured in issue six of Ernest Journal, on sale now.

Issue 6
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Shooting on a Leica IIIc

Dressed in woollen breeches and hobnailed boots, photographer Hanson Leatherby and writer Oliver Carter-Wakefield set out to climb Snowdon in the footsteps of mountaineer George Leigh Mallory, and to capture the expedition with the Kodak camera of the day – the Leica IIIc. We caught up with Hanson to find out more about this robust, yet elegant, piece of kit.

  Images by Hanson Leatherby

Images by Hanson Leatherby

For those unfamiliar with vintage cameras, what is a Leica?

The first 35mm film Leica prototypes were built by Oskar Barnack at Ernst Leitz Optische Werke, Wetzlar, in 1913. Intended as a compact camera for landscape photography, particularly during mountain hikes, the Leica was the first practical 35 mm camera that used standard cinema 35 mm film. Barnack conceived the Leica as a small camera that produced a small negative, with high quality lenses that could create well-defined negatives.

Tell us about the model you’re using – the IIIc.

My Leica IIIc was made in 1940. It's very small and portable with tiny interchangeable lenses that are really sharp and render beautifully with B&W film. They call it the 'Leica glow' with lenses from this era. The nature of shooting with a rangefinder urges you to frame in certain ways that give the image a particular style no other camera can give. This, as well as its portability, is why I chose it.

What should a user bear in mind when it comes to handling and operating this camera?

You have to cut the film leader to fit the film into the camera, which is a bit of a challenge. The shutter speed dial has to be operated after the film is wound on, not before.

How did you find using the Leica on the Mallory shoot in Snowdonia? Were there any surprises or challenges?

I have shot a lot with this camera so no surprises, really. As mentioned before, loading film is the main challenge as you have to cut the film leader to slide it into the body of the camera so that is doesn't foul the cloth shutter curtain. The curtain runs horizontally directly in front of the film plain, so when you slide film into the body of the camera it can hit the shutter curtain and cause damage or a jam.

Any other exciting shoots coming up?

The next shoot I have coming up is a Brassaï style nighttime street shoot in Paris, shot on film with models wearing 1930s clothing.

Hanson Leatherby is a Bebop fanatic, aesthete and an escapist. He is also a lover of cubism, sharp suits and industrial design. He shoots film on manual cameras to keep him sane.


You can read about Hanson and Oliver's experience walking in the footsteps of Mallory in issue 6 of Ernest Journal, on sale now.



The history of the slipper

Fashion, customs, social science and industry – once you step inside the history of the slipper there’s much to sink into. But don’t get too comfortable, it’s not all about toasty toes 

What is a slipper? Until the late 19th century, the term could be used to describe any indoor shoe that slipped on to the foot, including ballroom slippers (think Cinderella’s glassy numbers), bathroom slippers, bedroom slippers and afternoon tea slippers. Nowadays, we use the word to mean footwear that is only to be worn in the home. Whatever the definition, its history is an absorbing proposition.

Slippers were worn in Chinese courts as early as 4700 BC. They would be made out of cotton or woven rush, had leather linings, and were adorned with symbols of power, such as dragons. Native American moccasins were also highly decorative. Hand painted to depict scenes from nature and embellished with beadwork and fringing, their soft sure-footedness made them suitable for indoors appropriation.

Inuit and Aleut people would make shoes from smoked hare hide to protect their feet against the frozen ground inside their homes. Conversely, the discerning Victorian gentleman was in need of a pair of ‘house shoes’ in order to keep the dust and gravel outside – much better than ruining his expensive rug and beautifully polished floor.

Embroidered slippers presented Victorian ladies (on both sides of the Atlantic) with an opportunity to show off their needlepoint skills. Magazines such as Godey’s Lady’s Book and Peterson’s Magazine contained patterns so that the latest fashions could be recreated in the home; a perfect gift for a loved one, and an ideal way to entice a man with an eye for embroidery.

The emergence of a slipper industry grew from the warehouse floor of the felt industry in northeast England. Workers would make themselves footwear from the scraps that were left over, and from this seed grew the businesses of John William Rothwell, Samuel McLerie and other commercial retailers in the late 1800s. Though the advent of heating and descent into everyday casualness may have led slipper sales to decline since the 1950s it doesn’t make them any less interesting, or snug! Read on for tales of notable styles, from those worn by Kanye West to the Pope. 

The Prince Albert slipper

The discerning gentleman’s house shoe, which gained popularity in the 1840s, is said to have been designed by Prince Albert himself. The Albert slipper has an extended vamp (the upper part), quilted lining and leather sole. Initially designed for Victorian men hosting dinner parties, and to be teamed with a matching smoking jacket, this design staple was later synonymous with Hollywood greats, such as Clarke Gable. From Robert Kennedy to the purveyor of questionable style Kanye West, it has continued to be a signature of the debonair.

To liberate or repress

Slippers have been used as both a symbol of freedom and oppression. For Rita de Acosta Lydig, receiver of one of the largest divorce settlements of her day in 1900, her Pietro Yanturni slippers, made of gold brocade and silver silk tissue (stored on shoe trees made from antique violins), were a sign of opulence. Slippers worn by members of a sultan’s harem represented something entirely different. Their frail nature made it impossible to escape over any rough terrain, but made them ideal footwear for the luxurious carpets of their masters.

Papal submission

The slippers historically worn by the Pope were an elaborate affair. Bright red, to represent the blood of martyrs and Christ’s own bloodied feet in his final moments, they were handmade from silk or satin and decorated with gold thread. A gold cross garnished with rubies completed the ornate spectacle. The Pope wore these slippers inside his residences, rather than the red leather shoes he would wear outside, and it was custom that any pilgrim having an audience with the Pope had to kneel and kiss one of his slippers. 

Words: Duncan Haskell, Illustrations: Jade They

This originally featured in issue six of Ernest Journal, on sale now.

Issue 6
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Uneek perspectives

Meticulously crafted to compliment the shape of your feet – while providing balance and flexible movement – UNEEK has been a firm favourite with Ernest since its launch in 2016, accompanying the team on many an adventure. We check in with KEEN to find out how their one-of-a-kind hybrid shoe has evolved.

  Editor Jo explores the Galapagos Islands with her trusty UNEEK originals. Photo: Graeme Owsianski

Editor Jo explores the Galapagos Islands with her trusty UNEEK originals. Photo: Graeme Owsianski

UNEEK is the ultimate hybrid shoe: a versatile sandal, made from interlocking cords that adjust to provide custom fit for your foot, which is smart enough for urban rambles yet robust and ready for wilder adventures. Over the past year, this quirky piece of footwear has protected our feet from sea urchins in the Adriatic and accompanied us on rugged volcanic paths in the Galapagos and while springing for trains in the city. While the original design has found a firm footing with the team, and with its followers, there are now new styles, new colours and new materials to consider. Before we have a look, here’s a quick introduction…

Dynamic design: an introduction

It’s easy to recognise UNEEK for its disruptive aesthetics, but the form has always followed the function. Designed to create a custom fit on any foot, UNEEK provides unparalleled comfort and versatility for outdoor adventures. The interlocking cords adjust to provide custom fit for your foot, while the bungee entry system lets you adjust the tightness. Support, motion and flexibility are key design features in the shoe, with its lightly cushioned heel, flexible mid-sole and free-moving cord system – all and which work with the natural movement of your foot. On top of that, they’re lightweight and breathable – ready to ramble whether you’re roaming through the city or setting out into wilder terrain.

Your UNEEK. Your way.

This footwear is all about self-expression and this year there are even more styles so you can find the right sandal to suit your individual lifestyle and performance needs.

UNEEK Original

Back by popular demand – the classic design returns for another season in a fantastic new range of colours and a choice of flat or round cord. Featuring a free-moving cord construction, heel strap for stability and a durable but lightweight midsole for arch support, it’s a versatile shoe, which now boasts some special editions!

UNEEK Original: Leather (special edition)

This is the original style but upgraded with soft leather cords. A cushioned strap supports the ankle, while the midsole offers the support of a sneaker. Fancy.

UNEEK Original: Urban Trail Pack (special edition)

Premiering this summer, the special edition UNEEK Originals: Urban Trails Pack offers an eye-catching aesthetic with a distinctly athletic profile. A lightweight PU midsole in a bright sporty finish contrasts with tan gum rubber pods on the outsole for versatile traction and cushioning.

  U NEEK Originals: 79.99

UNEEK Originals: 79.99


Twenty five per cent lighter than its predecessor, this robust style – part sandal and part sneaker – has a lightly-cushioned enclosed heel as well as grippy rubber outsoles. It’s a pioneering, athletic design and the cords adapt to your foot so you’re assured a cosy and customised fit.

UNEEK curation

It’s not just new styles either, each month KEEN curates a special collection to show off key threads and themes within the UNEEK range. This month sees a collaboration with Zebu – a dynamic illustration and artist duo from Berlin, who take inspiration from abandoned spaces in the city and produce bold, abstract artworks through screen printing, drawing and mural painting. The collection draws on bold blues and greens as well as urban shades of aluminium, slate grey and bright white. Or perhaps you prefer the Camp Life Pack? Natural tones, perfectly suited to slipping on by the campfire after a day of climbing, hiking, paddling, or just chilling. Watch this space for the latest pack.

This is a sponsored blog post, created in collaboration with KEEN. Read more stories from the Ernest x KEEN partnership in our directory

Choose your style on the KEEN website.

Follow and share your UNEEK adventures on Instagram using hashtag #UNEEKPERSPECTIVES